Mozart’s Requiem: from 18th century forgery to modern hybrid: Chapter 12 – Lacrymosa

Here is Chapter 12, the Lacrymosa. The first movement that required actual composing, where Eybler exited gracefully and Süssmayr officially entered the fray. This chapter details his work, and describes why, unlike most other modern edition-completions, in mine there is no Amen fugue at the end. I have attached a score.


12 Lacrymosa.

7 Lacrymosa.16 (score)

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